1. The Lovely Bones by Alice Sebold         List Price: $13.95         Pages: 352

When we first meet Susie Salmon, she is already in heaven. As she looks down from this strange new place, she tells us, in the fresh and spirited voice of a fourteen-year-old girl, a tale that is both haunting and full of hope.

In the weeks following her death, Susie watches life on Earth continuing without her-her school friends trading rumors about her disappearance, her family holding out hope that she'll be found, her killer trying to cover his tracks. As months pass without leads, Susie sees her parents' marriage being contorted by loss, her sister hardening herself in an effort to stay strong, and her little brother trying to grasp the meaning of the word gone.

And she explores the place called heaven. It looks a lot like her school playground, with the good kind of swing sets. There are counselors to help newcomers adjust and friends to room with. Everything she ever wanted appears as soon as she thinks of it-except the thing she most wants: to be back with the people she loved on Earth.

With compassion, longing, and a growing understanding, Susie sees her loved ones pass through grief and begin to mend. Her father embarks on a risky quest to ensnare her killer. Her sister undertakes a feat of remarkable daring. And the boy Susie cared for moves on, only to find himself at the center of a miraculous event.


2. The Reader by Bernhard Schlink         List Price: $11.00         Pages: 224

The Reader, a haunting story of love and guilt in which the legacy of Nazi crimes enters a young man's life in an unexpected and irrevocable way.

Michael Berg is fifteen and suffering from hepatitis. When he gets sick in the street one day on his way home from school, a woman brings him into her apartment and helps him to wash up. Later, he visits the woman to thank her and is drawn into a love affair that is as intoxicating as it is unusual--their meetings become a ritual of reading aloud (Michael reads to Hanna, at her request), taking showers, and making love. When Hanna disappears following a misunderstanding, Michael is overcome with guilt and loss.

Years later, when Michael is studying law at the university, he is part of a seminar group attending one of the many belated Nazi war crime trials. He is shocked when he recognizes Hanna in the courtroom, on trial with a group of former concentration camp guards. During the proceedings, it becomes clear that Hanna is hiding something that is--to her--more shameful than murder, something that could possibly save her from going to prison. She chooses not to reveal her secret and as a result is sentenced to life.

Married and divorced, Michael has become a scholar of legal history and suffers from a haunting emotional numbness. To help himself through nights of insomnia he begins to read his favorite books aloud into a tape recorder, and he sends the tapes to Hanna in prison. The bond between the two is continued in this unique way until Hanna's release from prison, when, in the face of Michael's ambivalence and Hanna's shame, their story reaches its anguished conclusion.

A parable of German guilt and atonement and a love story of stunning power, The Reader is also a work of literature that is unforgettable in its psychological complexity, its moral nuances, and its stylistic restraint.


3. A Confederacy of Dunces by John Kennedy Toole         Pages: 462 pages

The comedy of A Confederacy of Dunces is writ large in and between its many lines: a grand farce of overeducated white trash, corrupt law enforcement, exotic dancing and the nouveau riche in steamy New Orleans. The Pulitzer committee thought highly enough of Toole's comic prowess to give his only novel the Prize posthumously. Therein lies the tragedy of this huge and hugely funny book: John Kennedy Toole didn't live to see this now-classic novel published. He committed suicide in 1969 at the age of thirty-two. It was his mother who was responsible for bringing his book to public light, pestering the hell out of Walker Percy, who was teaching at Loyola in 1976, to read it until finally that distinguished author relented. In his foreword to A Confederacy of Dunces, Percy laments the body of work lost to the world of literature with the author's death, but rejoices "that this gargantuan tumultuous human tragicomedy is at least made available to a world of readers."

At the center of A Confederacy of Dunces is that contemptuous hypochondriac, that deadbeat ideologue, that gluttonous moocher Ignatius Reilly. A mountainous college graduate living off his mother's welfare check in her home on one of New Orleans seedy back streets. He spends most of his time waxing melodramatically philosophic, hiding out in the squalor of his bedroom, filling Big Chief writing tablets with his unique brand of Luddite/medievalist/anti-Enlightenment thought and penning incendiary letters to his sex-crazed ex-college-girlfriend Myrna Minkoff. His beleaguered mother by turns dotes and turns on him in their schizophrenic dance between adult child and aging parent.

Waiting on Canal Street for his mother to come back from an arthritis consultation with her doctor, Ignatius gets hauled off by a cop (who thinks the mustachioed mountain in tweed trousers, plaid flannel shirt and trademark green hunting cap looks suspicious). Thus begins a tailspin into one misadventure followed by another and another ad infinitum. Ignatius and his mother, traumatized by the event, step into a sleazy strip joint and drink themselves silly. As they leave, Mrs. Reilly promptly plows her Plymouth into a building.

The dollars in damages they need to pay for their little accident cannot be met by Mrs. Reilly's meager welfare check. So it is that Ignatius grudgingly begins a series of jobs that suck him ever-deeper into the seamy underbelly of 1960s New Orleans. Ignatius' impact leaves the poor souls in his wake insensible and gaping. His work at Levy Pants (file clerk) and for Paradise Vendors (hotdog-pushcart man) bring Ignatius to lead a workers' revolt and become an unwitting soft-core-porn distribution stooge. His arrogance (and flatulence) touch the people he encounters in horrible ways, yet his indignant, malicious blunders make it possible for those he's injured (intentionally or not) to come out better at the far end of the story.

Ignatius Reilly has got to be one of the most off-putting main characters in modern literature, but this hygenically-challenged intellectual oaf has something in common with a soap-opera vixen: you love to hate him. And he's got something in common with a train wreck: he makes you rubberneck and then you find you just can't look away. Ignatius' long-suffering but increasingly independent mother is the novel's unsung heroine. She's by turns insufferably dumb and surprisingly sly. Patrolman Mancuso's decline, fall, and eventual rise all derive from his brush with Ignatius, and his degradations at the behest of his police superiors has readers laughing behind their hands. You feel sorry for the guy, but (snigger) it's so damn funny! The black vagrant Jones is the only character in the whole bunch of idiots who can really see clearly, nevermind that he's forever looking out at the world through dark glasses and a cloud of his own cigarette smoke. A Confederacy of Dunces is simply and insistently a great, perfect comedy of errors and airs, a farce of Olympic proportions.